Thursday, December 25, 2008

Tuesday, December 16, 2008

Monday, December 15, 2008

Tuesday, December 9, 2008

call in gay!



day without a gay

lady croissant

Called a "mini-album" by her label, Astralwerks, Sia's Lady Croissant is a collection of eight live tracks (from her April 2006 performance in New York's Bowery Ballroom) and one new studio track, the darkly bubbly single, "Pictures." The recordings sound good, the band (bass, cello, drums, guitar, and keys) tight and lush, and Sia herself is spot-on, her vocals rich and passionate. The set here is short (and the actual concert wasn't much longer), but the singer pulls material from both Healing Is Difficult and Colour the Small One (including "Breathe Me," featured in the popular television show Six Feet Under's series finale) as well as two tracks, "Destiny" and "Distractions," from Zero 7's Simple Things (Garden wouldn't come out until June, so unfortunately her contributions to that album aren't included here). There's a song of hers called "Lentil," the only one she introduces by name here, and a Cher/Pretenders -- with inspirational credit given to the latter -- cover (written by Ray Davies), "I Go to Sleep." Sia, her voice, her style, hearken back to the late '90s, drawing comparisons to early Nelly Furtado and Morley, but the music here, her music, doesn't seem dated or unhip. It's very modern, warm and melodic and cleanly intricate, and shows off Sia's talents well, making Lady Croissant an important listen for her fans, and enough to sway those less familiar with her work into checking out what else she has to offer.
http://www.pandora.com/music/album/sia/lady+croissant

Devendra Banhart

Biography
Growing up in Caracas, Venezuela, and Los Angeles, Devendra Banhart was always playing music and drawing. But it wasn't until his brief stay at the San Francisco Art Institute that the disciplines became his constant companions. With the encouragement of poet and SFAI professor Bill Berskon, Banhart began experimenting with all kinds of art. He also began recording songs around that same time, usually on shoddy, hand-me-down four-track machines. Brief, half-finished, or written in stream-of-consciousness form, the recordings weren't initially intended for release. But friends encouraged Banhart, and he sent out a few tentative demos. He also left SFAI in favor of busking and wandering, and his travels led him from the Bay Area to Paris and eventually back to L.A. By now he was performing regularly, but he hadn't recorded or released anything officially. That changed when Michael Gira (Swans) issued the first Banhart material on his Young God imprint in October 2002. Oh Me Oh My... was an immediate critical hit, and comparisons to legends of songwriting, eclecticism, and tragedy were frequent (Tim Buckley, Syd Barrett, Marc Bolan, et al.). The Black Babies EP arrived in 2003, followed by Banhart's first full-length, Rejoicing in the Hands, in April 2004. Young God released its companion, Niño Rojo, in September. Acclaim for both was nearly unanimous, and Banhart's audience continued to expand. He jumped to XL for September 2005's Cripple Crow, an ambitious set and his most sonically expansive album up to that point. Smokey Rolls Down Thunder Canyon continued in that vein, recorded at Banhart's new home studio in Topanga Canyon. ~ Jason MacNeil & Johnny Loftus

scorpio horoscope

Verticle Oracle card Scorpio (October 23-November 21)
In one episode of the TV show "Seinfeld," Elaine couldn't get her favorite Chinese restaurant to deliver take-out food to her apartment. The manager said her neighborhood was just beyond the boundary of where his drivers were authorized to travel. But Elaine was determined. She went over to the apartment building across the street, which was within the restaurant's delivery zone, and set up an alternate home for herself in a janitor's closet. I suggest you adopt a similar strategy, Scorpio. If you can't get what you want in the place where you are, shift your location.

exactly

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cat power



the greatest

i will try to

seeds of change



johnny appleseed

holiday trees



pokono

because we can

Friday, December 5, 2008

Monday, December 1, 2008

destin gerek

rockstar

sigur ros

The heaps of praise during 2000 surrounding 1999's Ágætis Byrjun brought surprisingly little attention to Sigur Rós' first record, released in 1997. Remaining available only through the band's Icelandic label, it took some effort to obtain, but those who did get a copy probably found it to be just as adventurous as Agætis. Though darker and more fractured than the string-laden nooks of the follow-up, it's just as sprawling and outright bombastic. It's remarkable that such a young band would be this experimental at this stage in their lifespan, but the sheer breadth gets to be an albatross. Poking fun at '70s prog rock is just as easy as shooting at cement gargoyles on a suburban rooftop, especially when you're an indie kid or a fan of post-rock. But Sigur Rós makes Yes look like the Minutemen. Whittled down to 40 minutes, Von would be considerably more effective than it already is. As a mood setter, the 10-minute opening track really takes about three minutes to do what it needs, and a few other spots seem to drag on for the sake of sucking time. That doesn't prevent Von from being impressive, veering from Gavin Bryars-style aquatic minimalism to My Bloody Valentine-style dream pop. Varying states of isolationist ambience run throughout, whether evoking unrest or tranquil rest. You can practically envision a stray headboard floating through the Sinking of the Titanic-type passages, and the lush "Myrkur" comes from a planet where MBV's Kevin Shields and Kitchens of Distinction's Julian Swales are accorded the level or worship that Earth gives to Hendrix and Clapton. And then there's that voice, one of the most distinctly unintelligible voices since the Cocteau Twins' Liz Fraser. Boy? Girl? One would be hard-pressed to guess without liner notes. Based on pure sound, Von is just as much of a treat as the acclaimed follow-up. ~ Andy Kellman, All Music Guide

ocelot


Join us in celebrating Ocelot’s 10 years in business! DEC. 6th, Sat. 12-8 pm
Wine, food and live music 5-8pm George Cremaschi and John Ingle Duo at: Ocelot 2345 Harrison St. bet 19th and 20th in San Francisco’s mission district P.415-821-7288
ocelot

green jobs

keep planet earth green

tangerine dream live

pandora